A.K. Burns and Ulrike Müller featured in Trigger: Gender as a Tool and a Weapon at the New Museum, New York, as part of the museum's 40th Anniversary, September 27, 2017 - January 21, 2018
Let (Gender) Confusion Reign, The New York Times. Pg c13, c16. Sep 29, 2017. Print.
In a New Museum Exhibit, Artists Challenge Their Assumptions About Gender — and Ours, New York Magazine. Sep 18, 2017. Print.
Snapshot from a brighter moment: the 2017 Whitney Biennial reflects a pre-Trump America, The Art Newspaper. Mar 16, 2017. Web.
The Biennial: A User's Guide, The New York Times. C1 & C4. Mar 9, 2017. Print.
Biennial-bound artists take a bow in Miami, The Art Newspaper. Pg 1. Dec 2, 2016. Web and Print.
Important Arts Fair Looks for Balance in Miami Beach, The New York Times. Pg 51. Dec 1, 2016. Web and Print.
Best of 2016: Eva Birkenstock, ArtForum. pg. 208. Dec 1, 2016. Print.
15 New Dealers to Watch at Art Basel in Miami Beach, Artsy. Nov 26, 2016. Web.
Ulrike Müller, The New Yorker. Pg 18. Oct 31, 2016. Print.
Ulrike Müller, 4Columns. Oct 21, 2016. Web.
Ulrike Müller - Why I Paint, Phaidon. Oct 17, 2016. Web.
Art Seen, Trigger: Gender as a Tool and a Weapon, The Brooklyn Rail. Dec 13, 2017. Web.
Ulrike Müller participates in a conversation on the work of Louise Fishman at Cheim & Read, New York, Thursday, October 12, 6 - 8pm
Ulrike Müller in the 2017 Whitney Biennial, co-curated by Christopher Y. Lew and Mia Locks, The Whitney Museum of American Art, New York, March 17 - June 11, 2017
Callicoon Fine Arts at Art Basel Miami Beach, December 1 - 4, 2016.
Ulrike Müller and James Hoff featured in We Are the Center… for curatorial Studies, curated by Paul O'Neill, CCS Bard, October 15 - December 16, 2016
Ulrike Müller in two person exhibition with Kitty Kraus, organized by Israel Lund and Sam Korman at Parapet Real Humans, St. Louis, MO, September 18 - October 16, 2016
Ulrike Müller in The Cypress Broke, group exhibition at Rodeo, London, June 25 - September 24, 2016
Ulrike Müller in Invisible Adversaries : Marieluise Hessel Collection, curated by Lauren Cornell and Tom Eccles at the Hessel Museum of Art, June 25 - September 18, 2016
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